{"id":2587,"date":"2013-08-24T05:13:57","date_gmt":"2013-08-23T20:13:57","guid":{"rendered":"http:\/\/rescuejapan.jp\/_wp\/?p=2587"},"modified":"2013-08-24T05:13:57","modified_gmt":"2013-08-23T20:13:57","slug":"the-fukushima-nuclear-complex-is-still-not-under-control","status":"publish","type":"post","link":"https:\/\/rescuejapan.jp\/_wp\/?p=2587","title":{"rendered":"The Fukushima nuclear complex is still not under control"},"content":{"rendered":"<p>The Fukushima nuclear complex is still not under control | GlobalPost<\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p class=\"social-logo\">Follow us:<\/p>\n<p>           <!-- \/logo-title --><\/p>\n<p>        <!--\/header-wrapper--><br \/>\n    <!--\/header--><\/p>\n<p>    &lt;!&#8211;   PRIMARY NAVIGATION  &#8211;&gt;<\/p>\n<p>    <!-- \/primary navigation --><\/p>\n<p>   <!--\/#top-wrapper--><\/p>\n<p>                       <!-- \/#content-header --><\/p>\n<p>        <span class=\"submitted\"><span class=\"submitted-by\">Richard Smart<\/span><span class=\"submitted-date\">August 23, 2013 10:38<\/span><\/span><\/p>\n<h2 class=\"subhead\">\n<p>                    <!--paging_filter--><\/p>\n<p>New revelations of serious radioactive contamination haunt Japan.  <\/p>\n<\/h2>\n<p>    <!--\/gp3_dispatch_top--><\/p>\n<p>          <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/f3a71_fukushima_plant_20130822.jpg\" alt=\"Fukushima plant 20130822\" title=\"Fukushima plant 20130822\" class=\"lead-image\" width=\"360\" height=\"240\" \/>Enlarge<\/p>\n<p>            <!-- \/block --><\/p>\n<p>TOKYO, <a href=\"http:\/\/www.globalpost.com\/internal\/section-config\/japan\">Japan \u2014 More than two years after the massive Tohoku earthquake and tsunami, high levels of radiation are escaping into the ground and the atmosphere from a damaged container filled with water used to treat Fukushima Daiichi nuclear plant.<\/p>\n<p>The incident marks the second phase of a nightmare that threatens the long-term fate of the country.<\/p>\n<p>After admitting earlier this month that up to 300 tons of radioactive water were <a href=\"http:\/\/www.theguardian.com\/world\/2013\/aug\/09\/fukushima-fallout-threatens-fishermens-livelihoods\"><u>leaking every day<\/u> into the Pacific Ocean, a new leak problem has been upgraded by Japan\u2019s Nuclear Regulatory Agency from a level one \u201canomaly\u201d to a level three \u201cserious incident\u201d on the International Nuclear Event Scale. (The International Atomic Energy Agency is reviewing the level three rating, but has <a href=\"http:\/\/www.iaea.org\/newscenter\/news\/2013\/daiichistatement.html\">yet to confirm it.)<\/p>\n<p>The separate 300 ton \u201cserious\u201d leak is the latest of a myriad of problems at Fukushima. It came from a tank put together in a slapdash manner by Tokyo Electric Power Co. (Tepco) soon after the disaster. The tank, held together by bolts and resin, was not sealed through welding, according to local media reports.<\/p>\n<p>The leak from the storage tank is particularly worrisome for two reasons. First, it emits high levels of radiation \u2014 100 millisieverts an hour, the maximum exposure that a nuclear worker is allowed to receive in one year. Second, there are around 350 tanks containing such contaminated water that were assembled in the same slapdash manner.<\/p>\n<p>News of the leak was met with a shrug in Japan, where an estimated 94 percent of the population said it believes the disaster has not been resolved, according to a March survey by Hirotada Hirose of Tokyo Woman\u2019s University.<\/p>\n<p>Thursday news bulletins on the national Japan Broadcasting Corp. (NHK) prioritized New York Yankee\u2019s baseball player Ichiro Suzuki\u2019s 4,000th hit over updates from the plant. Some private TV stations failed to report any update from Fukushima at all.<\/p>\n<p>The whack-a-mole task of cleaning up the mess will cost the Japanese public for some time.<\/p>\n<p>Costs are currently estimated at $5.8 billion, although huge technical hurdles lie ahead. Tepco and the national government \u2014 which, separately, suffers under a quadrillion yen ($10 trillion) in debt \u2014 are facing a challenge they may not be able to overcome.<\/p>\n<p>Tepco, the recipient of multiple bailouts and loans from major banks, will have to demonstrate it can clean up the plant and find a way back to profitability to receive additional loans. If it can&#8217;t, the consequences of a \u201ctoo big to fail\u201d company going bankrupt would be unpredictable and dangerous. A full takeover by the government could unleash its own Pandora\u2019s Box if markets, the Japanese public and the international community are not convinced that clean-up work is going according to plan.<\/p>\n<p>\u201cWater problems will persist for four to eight years at least,\u201d said Jeff Kingston, a Temple University professor of <a href=\"http:\/\/www.globalpost.com\/internal\/section-config\/asia\">Asian studies who has written extensively on the disaster. \u201cFuel rod moving? Four years, and hopefully with no accident. [An accident moving the rods] would be catastrophic.\u201d<\/p>\n<p>Earlier in August, the government said it would take steps to clean up Fukushima Daiichi. It plans to invest $400 million to freeze ground around the contaminated water and contain it. Bringing the plan to fruition will take at least two years, because of the complicated nature of the work.<\/p>\n<p>The damage is having an impact on the national economy. All but two of the nation\u2019s 54 nuclear power plants have been switched off since the disaster. That has sent costs for energy imports soaring and hobbled the nation\u2019s balance sheet. Japan logged a trade deficit of $10.15 billion last month, according to the Ministry of Finance.<\/p>\n<p>Public sentiment remains firmly against nuclear energy, despite the economic implications of moving away from the energy source. Hirose\u2019s March survey found 85 percent of the 1,200 respondents want the nation to phase out nuclear energy. Of those, 31 percent wanted to see it brought to an end as soon as possible.<\/p>\n<p>Prime Minister Shinzo Abe gained widespread support for his \u201cAbenomics\u201d set of monetary, structural reform and government spending policies that aim to reignite the economy. Attaining this goal will require returning to nuclear power, keeping the crisis in Fukushima under control, and finding money required to decommission idled reactors that have been deemed unsafe because they sit under fault lines.<\/p>\n<p>For Fukushima residents and evacuees, the nightmare may never end. \u201cSadly, 150,000 remain displaced and fishermen and farmers have seen their brand displaced,\u201d Kingston said.<\/p>\n<p>A best-case scenario looks disastrous. Decommissioning a reactor costs around $800 million. Some reactors will remain offline because they sit on fault lines. Accounting rules in Japan see reactors staying online for 40 years, during which the utilities save the money to pay for going offline and cleaning up their sites. That is not going to happen. There is little discussion of where funds for decommissioning will come from.<\/p>\n<p>Kingston has a suggestion of one income stream. \u201cThe real answer is renewables. They boost disaster resilience and local economies&#8230; This is the missing \u2018green arrow\u2019 in Abenomics,\u201d he said.<\/p>\n<p class=\"u\">http:\/\/www.globalpost.com\/dispatch\/news\/regions\/asia-pacific\/japan\/130822\/fukushima-radioactive-water-leak-faulty-tanks<\/p>\n<p>    <!--\/gp3_story_content--><br \/>\n   <!-- \/node-inner --><br \/>\n <!-- \/node-->           <!-- \/#content-area --><\/p>\n<p> <!-- \/block --><\/p>\n<p>      <!--paging_filter--><\/p>\n<p>.<\/p>\n<p> .views-field-field-torsotitle-value {<br \/>\ntext-decoration: underline;<br \/>\n}<\/p>\n<p>]]&gt;<\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<h3 class=\"title block-title\">Featured Slideshow<\/h3>\n<p>                <!--paging_filter--><\/p>\n<p> Art Basel gathers works from around the world for its annual shows.<\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<ul class=\"thumbs noscript\">\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-7.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-7.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>Jaume Plensa&#8217;s &#8220;Tel Aviv Man&#8221; at Art Basel, the world\u2019s premier trade fair for leading galleries and collectors focused on modern and contemporary art.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-2.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-2.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>The front of the Art Basel building. This year\u2019s show attracted 303 of the world\u2019s top galleries from 36 countries, showing the works of more than 2,500 artists. It drew more than 62,000 visitors, a new record.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-16.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-16.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>Platform Gallery&#8217;s Chen Wei and one of his &#8220;Recovery Room&#8221; series at Liste Young Artist&#8217;s show. By the time the week was over he had sold more than 10 works, with prices ranging from $1,800 to nearly $3,000.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-15.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-15.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A performance spectator admires some of the pieces at Basel Art.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-14.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-14.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A performance piece at Basel Scope, done by an unidentified nearly naked man who moved in slow motion up and down the aisles dressed like a Greek version of Mars, the god of war.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-13.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-13.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A performance piece at Scope. The man clutched a staff, on which a plastic container for motor oil with the BP logo was impaled.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-12.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-12.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>An installation piece at Basel Art.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-11.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-11.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>An installation piece with paper tubes at Basel Art.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-10.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-10.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A gallery scene at the Scope Basel show.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-8.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-8.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A sculpture of Sperone Westwater Gallery&#8217;s employee, Michael Short, by Evan Penny.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-9.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-9.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>Evan Penny&#8217;s sculpture of Michael Short.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-6.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-6.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A woman views Jaume Plensa&#8217;s &#8220;Tel Aviv Man,&#8221; (Study) 2010, Galerie Lelong, Paris.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-5.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-5.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>&#8220;Medusa marinara,&#8221; 1997 \u2014 a photographic representation of the Medusa in spaghetti and tomato sauce by New York-based Brazilian artist, Vic Muniz.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-3.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-3.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>Children play around Ai Weiwei&#8217;s piece, &#8220;Field,&#8221; 2010.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-1.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-1.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>Heimo Sobernig&#8217;s &#8220;Black Cube&#8221; sits on display outside outside.<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<li>\n    <a class=\"thumb\" href=\"http:\/\/www.globalpost.com\/sites\/default\/files\/imagecache\/gp3_slideshow_large\/photogallery\/gallery_5562374\/Dowell-Basel_Artx-4.jpg\" title=\"Photo\"><img decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_Dowell-Basel_Artx-4.jpg\" alt=\"Photo\" \/><\/p>\n<p>Photo<\/p>\n<p>A piece by Yayoi Kusama titled &#8220;Pumkin.&#8221;<br \/>\n &#8211; [\/]<\/p>\n<\/li>\n<\/ul>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p> <!-- \/block --><\/p>\n<p>            <!-- \/#content-bottom --><\/p>\n<p>         <!-- \/content-inner \/content --><br \/>\n         <!-- \/sidebar-left --><\/p>\n<p> <!-- \/block --><\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p>      <a href=\"http:\/\/www.globalpost.com\/dispatch\/news\/regions\/americas\/united-states\/130816\/top-10-american-corporations-egypt-military-us-aid\"><img decoding=\"async\" class=\"shr-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_1024px-f-16_fighting_falcon.jpg\" \/><a href=\"http:\/\/www.globalpost.com\/dispatches\/globalpost-blogs\/the-grid\/hacks-continue-spite-fbi-claims-dismantlement-anonymous\"><img decoding=\"async\" class=\"shr-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_yan-anon-04-18-2013.jpg\" \/><a href=\"http:\/\/www.globalpost.com\/dispatch\/news\/regions\/europe\/130815\/europe-marijuana-capital-lazarat-albania\"><img decoding=\"async\" class=\"shr-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_lazarat_08_15_2013.jpg\" \/><a href=\"http:\/\/www.globalpost.com\/dispatch\/news\/regions\/middle-east\/egypt\/130815\/egypt-economy-violence-cairo-rabaa-muslim-brotherhood-military-aid\"><img decoding=\"async\" class=\"shr-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_economy_stunted_mass_violence.jpg\" \/><\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p> <!-- \/block --><\/p>\n<p>                <span class=\"field-content\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_162996282.jpg\" alt=\"Egypt Aid 162996282\" title=\"Egypt Aid 162996282\" class=\"imagecache imagecache-gp3_single_col imagecache-default imagecache-gp3_single_col_default\" width=\"302\" height=\"198\" \/><\/span><\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p>      <a href=\"http:\/\/www.globalpost.com\/dispatches\/globalpost-blogs\/the-grid\/hacks-continue-spite-fbi-claims-dismantlement-anonymous\"><img decoding=\"async\" class=\"com-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_yan-anon-04-18-2013.jpg\" \/><a href=\"http:\/\/www.globalpost.com\/dispatch\/news\/regions\/europe\/united-kingdom\/130820\/us-britain-surveillance-snowden-special-relationship\"><img decoding=\"async\" class=\"com-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_obama_cameron_08_20_2013.jpg\" \/><a href=\"http:\/\/www.globalpost.com\/dispatch\/news\/afp\/130815\/football-premier-league-chief-slams-winter-2022-world-cup\"><img decoding=\"async\" class=\"com-img\" src=\"http:\/\/rescuejapan.jp\/_wp\/wp-content\/plugins\/rss-poster\/cache\/ae4e2_placard.jpg\" \/><\/p>\n<p>   <!-- \/block-inner --><br \/>\n <!-- \/block --><\/p>\n<p>         <!-- \/sidebar-second --><\/p>\n<p>       <!-- \/main --><\/p>\n<p>     <!-- \/page --><br \/>\n      <!-- ______________________ FOOTER _______________________ --><\/p>\n<p>               <!-- \/footer --><\/p>\n<p>&#8216;<br \/>\n\t,containerID: &#8216;divGigyaLoginTop&#8217;<br \/>\n  ,showEditLink: &#8216;TRUE&#8217;<br \/>\n}<\/p>\n<p>var login_params_top=<br \/>\n{<br \/>\n\tshowTermsLink:false \/\/ remove &#8216;Terms&#8217; 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Enlarge TOKYO, Japan \u2014 More than two years after the massive Tohoku earthquake and tsunami, high levels of radiation are escaping into the ground and ... 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